1 / 3照片转民间艺术版画：扁平地图式对比
将同一张照片上下并置对比：上方保留原图，下方重绘为扁平、肌理密集的民间艺术版画，去除透视与光影，适合展示风格化转换效果。
完整提示词
Create one vertically stacked before-and-after comparison using the supplied image as the only source. LAYOUT:Exactly two equal-height panels: original image on top, transformed image on bottom. Both panels have the source image's aspect ratio and identical width. The complete canvas is twice the source image's height. Join the panels directly at a clean horizontal seam. No thick divider, extra panel, decorative frame, labels, or added text. TOP PANEL — ORIGINAL:Place the supplied image unchanged in the upper half. Preserve its full composition, original colors, lighting, details, existing text, and crop. Do not redraw, retouch, stylize, or apply texture to this panel. BOTTOM PANEL — OUTSIDER ART:Redraw the same scene as a flat, densely textured naïve folk-art print. Preserve the main subject, recognizable silhouettes, relative positions, important objects, and overall composition. Do not invent additional subjects or props. Flatten the ground into map-like color zones, with people, trees, buildings, and objects shown in simple frontal or side elevation. Remove converging perspective, photographic depth, directional lighting, and cast shadows.Use warm paper white, warm ink black, and two to four subdued colors derived from the source. Choose one existing object or connected detail as the only saturated accent. Give each large zone one consistent handmade texture: stitch marks, irregular window grids, or dense foliage marks. Keep the texture dense, rhythmic, and slightly imperfect. Where people appear, use small, solid, faceless figures with filled clothing and limbs of visible width. Render every surface as opaque printed ink on matte paper, with no photographic remnants.Keep all illustration, paper texture, and color changes strictly inside the lower panel. No gradients, glossy vector finish, watercolor, stick figures, cute cartoon proportions, invented lettering, or watermark.
使用说明
可替换任意场景照片；下方版画需保留原图主体与构图，仅改变风格，不添加新元素。 中文提示词： 使用提供的图像作为唯一来源，创建一个垂直堆叠的前后对比。 布局：精确两个等高面板：顶部为原始图像，底部为变换图像。两个面板具有源图像的纵横比和相同的宽度。整个画布高度是源图像高度的两倍。面板之间直接连接一个干净的水平接缝。没有粗分隔线、额外面板、装饰边框、标签或添加的文本。 顶部面板 — 原始：将提供的图像不变地放置在上半部分。保留其完整的构图、原始颜色、光照、细节、现有文本和裁剪。不要重绘、修饰、风格化或为此面板应用纹理。 底部面板 — 局外人艺术：将同一场景重绘为平坦的、密集纹理的天真民间艺术印刷品。保留主要主体、可识别的轮廓、相对位置、重要物体和整体构图。不要发明额外的主体或道具。 将地面扁平化为地图般的颜色区域，人、树、建筑和物体以简单的正面或侧面立面展示。移除会聚透视、摄影深度、方向光照和投射阴影。使用温暖的纸白、温暖的墨黑，以及从源图像派生的两到四种柔和颜色。从现有物体或连接细节中选择一个作为唯一的饱和强调。给每个大区域一种一致的手工纹理：针迹标记、不规则窗户网格，或密集的叶状标记。保持纹理密集、有节奏且略微不完美。 在出现人物的地方，使用小型、实心的、无面部特征的人物，填充的衣物和可见宽度的肢体。将每个表面渲染为不透明的印刷墨水在哑光纸上，没有摄影残留。所有插图、纸张纹理和颜色变化严格保持在下面板内。没有渐变、光泽矢量效果、水彩、火柴人、可爱卡通比例、发明的字体或水印。
